We’ve simply been listening to from Brian Cox and Patricia Clarkson, who’re the celebrities of the brand new West Finish manufacturing of Eugene O’Neill’s Lengthy Day’s Journey Into Night time.
The pair start their dialog with Laura by discussing how demanding it was to painting such troubled characters from the American playwright’s Pulitzer-winning play, noting how every of their roles has to confront trauma, habit, love and forgiveness.
Or, as Cox surmised: “Nicely, it’s about dysfunctional households.”
Cox highlights how the play itself was a somewhat private one for the famed American playwright, because it’s broadly believed that the content material it explores was based mostly on O’Neill’s personal life, and it proved to be a private wrestle for each actors.
“He was in lots of ache when he wrote the play,” says Cox, including that he’s learn that O’Neill’s spouse would someday discover him “weeping” after writing.
Clarkson jests that whereas the pair have been in rehearsals for the present, they too haven’t shied away from their feelings. “I cried yesterday for about eight hours,” she says, noting that there was a one-hour break at lunch.
